{"version":"1.0","provider_name":"Sajeta","provider_url":"https:\/\/www.sajeta.org\/sl\/","author_name":"karin","author_url":"https:\/\/www.sajeta.org\/sl\/author\/karin\/","title":"\u300b\u300b\u300bThe Future of Feminist Performance - Sajeta","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"4Y2Ix1kbKI\"><a href=\"https:\/\/www.sajeta.org\/sl\/project\/the-future-of-feminist-performance\/\">\u300b\u300b\u300bThe Future of Feminist Performance<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.sajeta.org\/sl\/project\/the-future-of-feminist-performance\/embed\/#?secret=4Y2Ix1kbKI\" width=\"600\" height=\"338\" title=\"&#8220;\u300b\u300b\u300bThe Future of Feminist Performance&#8221; &#8212; Sajeta\" data-secret=\"4Y2Ix1kbKI\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/www.sajeta.org\/wp-content\/uploads\/2026\/06\/FFP.jpg","thumbnail_width":1458,"thumbnail_height":800,"description":"Projekt The Future of Feminist Performance predstavlja in na novo kontekstualizira umetni\u0161ko in aktivisti\u010dno dedi\u0161\u010dino mednarodno priznane pesnice, performerke in zvo\u010dne umetnice Katalin Ladik (Mad\u017earska).Njena eksperimentalna vokalna poezija, body art in feministi\u010dne intervencije so pomembno zaznamovale avantgardno kulturo srednje in jugovzhodne Evrope, njena umetni\u0161ka zapu\u0161\u010dina pa \u0161e vedno navdihuje nova raziskovanja in interpretacije v razli\u010dnih [&hellip;]"}