{"id":532,"date":"2020-06-14T16:42:51","date_gmt":"2020-06-14T16:42:51","guid":{"rendered":"https:\/\/www.sajeta.org\/?post_type=artist&#038;p=532"},"modified":"2020-06-19T10:19:36","modified_gmt":"2020-06-19T10:19:36","slug":"canzone-distorte-live-electro-acoustic-performance-music-theatre-srb","status":"publish","type":"artist","link":"https:\/\/www.sajeta.org\/en\/edition\/artist\/canzone-distorte-live-electro-acoustic-performance-music-theatre-srb\/","title":{"rendered":"CANZONE DISTORTE \/ live electro-acoustic performance \/ music theatre (Srb)"},"content":{"rendered":"\n<p>An electro-acoustic music theatre project \u201eCanzone distorte\u201d is the outcome of cooperation between two young Serbian composers Anja Djordjevi\u0107 and Svetlana Mara\u0161. This live performance is the aftermath of a radio play bearing the same title that was commissioned by Radio Belgrade. With this same work of art they have represented Serbia at the \u201cArt&#8217;s birthday celebration\u201d festival held by EBU Ars Acoustica Group. In 2012, they were awarded the Vitomir Bogi\u0107 prize by the Radio Belgrade theatre department for the best radio composition.<br>The project \u201eCanzone distorte\u201d is a symbiosis of different genres and radio play techniques, contemporary composition trends, popular music, live electronics and improvisation. Their language draws inspiration mostly from contemporary electronic music intertwined with a predominant theatre note. We can expect a myriad of sounds created on stage; sung words and perhaps melodies of a well known opera piece as well as noises of a plastic bag recorded live, processed, and then finally incorporated into a sound sample loop. Their performance will also include some prerecorded sounds which were created for this project. The vocal parts (singing, declamations) will create a narrative sequence counterbalanced by a subject composed of various fragments in the field of sound poetry and vocal improvisation. The final effect of this show will be an illusion of listening to film music of a non-existent, imaginary film which requires no visual perspectives but only ears.<br>The key point distinguishing the radio play from its live version is the theatrical element. This is the consequence of numerous performative activities on stage: from simultaneous projections with directed cameras to feedback from microphones set in different ways. This way the performance enhances the openness of its form because it includes the listener&#8217;s acoustic coexistence-in-the-space. This becomes a vital part of the work itself which cannot achieve the same esthetic value without it.<\/p>\n\n\n\n<p>&#8211; Svetlana Mara\u0161: live electronics, live laptop, sound tools\/devices<br>&#8211; Anja Djordjevi\u0107: live electronics, sound tools\/devices, sampler, vocals<\/p>\n\n\n\n<p>WEB: <a rel=\"noreferrer noopener\" href=\"http:\/\/canzonedistorte.tumblr.com\/\" target=\"_blank\">Canzone Distorte<\/a><\/p>\n","protected":false},"featured_media":1622,"template":"","sajeta_edition":[26],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.7 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>CANZONE DISTORTE \/ live electro-acoustic performance \/ music theatre (Srb) - Sajeta<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.sajeta.org\/en\/edition\/artist\/canzone-distorte-live-electro-acoustic-performance-music-theatre-srb\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"CANZONE DISTORTE \/ live electro-acoustic performance \/ music theatre (Srb) - Sajeta\" \/>\n<meta property=\"og:description\" content=\"An electro-acoustic music theatre project \u201eCanzone distorte\u201d is the outcome of cooperation between two young Serbian composers Anja Djordjevi\u0107 and Svetlana Mara\u0161. This live performance is the aftermath of a radio play bearing the same title that was commissioned by Radio Belgrade. 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