{"id":8579,"date":"2025-06-20T16:19:04","date_gmt":"2025-06-20T16:19:04","guid":{"rendered":"https:\/\/www.sajeta.org\/?post_type=accompanying&p=8579"},"modified":"2026-02-17T17:19:44","modified_gmt":"2026-02-17T17:19:44","slug":"anthony-pateras-the-tolmin-lectures","status":"publish","type":"accompanying","link":"https:\/\/www.sajeta.org\/en\/accompanying\/anthony-pateras-the-tolmin-lectures\/","title":{"rendered":"ANTHONY PATERAS: THE TOLMIN LECTURES"},"content":{"rendered":"\n

“This project has been assisted by the Australian Government through Music Australia.”<\/em> <\/p>\n\n\n\n

Throughout Sajeta 2025, composer, pianist & electronic musician Anthony Pateras will deliver a series of two-hour composition & analysis lectures. Over eight sessions, The Tolmin Lectures <\/em>constitute a deep dive into the mechanics of a broad range of music. Rather than a demonstration of equipment or software, these lectures are designed to ignite curiosity & musical possibility through the act of collective critical listening. Two sessions a day will be followed by an open discussion & question time. The lecture agenda is as follows (subject to change).<\/p>\n\n\n\n

Rates for this are arranged to a sliding scale according to the financial situation of the attendee. Contribution<\/strong> for The Tolmin Lectures: <\/em>50 EUR or 20 EUR with a festival ticket Registration<\/ins><\/strong>: To register for the lectures, please contact:<\/ins> office@sajeta.org<\/a> (<\/ins>Subject: Registration for the Tolmin Lectures)<\/ins><\/p>\n\n\n\n

THU 3. 7.<\/ins><\/u><\/strong>
Lecture #1 (11:00-13:00): RHYTHMIC CHAINS<\/strong>
Linear splicing of multiple times and feels:Slint, Ziur, Marchaut, Pece Atanasovski, Messiaen, trad. Za\u00efre, Speaker Music, Stravinsky, Zorn<\/em><\/p>\n\n\n\n

Lecture #2 (15:00-17:00): VARIATION & LIMITATION<\/strong>
Moulding of limited materials into long-range forms: Adrian Demo\u010d, Noutong Phimvilayphone, Luc Ferrari, DJ Rashad, Feldman, Sarah Hennies, Judith Hamann, trad. Burundi, Calum Gunn<\/em><\/p>\n\n\n\n

FRI 4. 7.<\/ins><\/u><\/strong>
Lecture #3 (11:00-13:00<\/strong>): LIVING TEXTURE<\/strong>
Different approaches to mobile stasis: Giusto Pio, Alvin Lucier, Evol, Ashley, Jungle Brothers, Sam Dunscombe, Clarence Barlow, Erkki Veltheim<\/em><\/p>\n\n\n\n

Lecture #4 (15:00-17:00<\/strong>): PARALLEL LAYERS<\/strong>
Strategies using concurrent musical layers on different trajectories: Shore\/Coleman, Mamoru Fujieda, Tricky, Scott Walker, CIA Debutante, August\u0117 Vickunait\u0117, Yasuaki Shimizu, Rolf Julius, Cassandra Miller<\/em><\/p>\n\n\n\n

SAT 5. 7.<\/ins><\/u><\/strong>
Lecture #5 (11:00-13:00<\/strong>): SURPRISE & RECONTEXTUALISATION<\/strong>
Side stepping the default within established forms: James Rushford, J Dilla, Farmer\u2019s Manual, Bucketrider, RD Burman, Joni Mitchell, Umni Nadra, Chico Buarque<\/em>, Conlon Nancarrow<\/em><\/p>\n\n\n\n

Lecture #6 (15:00-17:00<\/strong>): PHRASING & FLOW<\/strong>
Learning from vocal phrasing: Sam Cooke, Carlton & The Shoes, Ray Charles, Al\u00e8may\u00e8hu Esh\u00e8t\u00e9, Playboy Carti, Alem Qasimov, Dirty Projectors, Joao Gilberto, Erykah Badu<\/em><\/p>\n\n\n\n

SUN 6. 7.<\/ins><\/u><\/strong>
Lecture #7 (11:00-13:00<\/strong>): SPLINTERED REALITIES<\/strong>
Rupture & hyper verticality: Florian Hecker, Rik Rue, Otto Von Schirach, J\u00e9r\u00f4me Noetinger, Yasunao Tone, \u00c1kos R\u00f3zmann, Iannis Xenakis, Marcus Schmickler, Josef Anton Reidl, Eiko Ishibashi<\/em><\/p>\n\n\n\n

Lecture #8 (15:00-17:00<\/strong>): ORCHESTRATION\/REVELATION<\/strong>
Sounds which shouldn\u2019t go together, but somehow do: Toru Takemitsu, Cor Fuhler, Teiji Ito, Jerry Hunt, John Butcher, PJ Harvey, Jean-Phillipe Gross, trad. Burundi, Michel Chion, Ennio Morricone<\/em><\/p>\n\n\n\n

NOTES<\/u><\/strong><\/p>\n\n\n\n

– Outside of this schedule, attendees are able to book individual sessions with Pateras to receive feedback on their scores or audio if they wish. Rates for this are arranged to a sliding scale according to the financial situation of the attendee.<\/p>\n\n\n\n

– The Tomlin Lectures are a welcoming & inclusive space. No racism, sexism, homophobia, transphobia, or any kind of verbal aggression will be tolerated.<\/p>\n\n\n\n

– To encourage and cultivate concentration, the use of smartphones is not allowed.<\/p>\n\n\n\n

– This project has been assisted by the Australian Government through Music Australia, its principal arts investment and advisory body.<\/em><\/p>\n\n\n\n

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