1.0Sajetahttps://www.sajeta.org/en/brinahttps://www.sajeta.org/en/author/brina/rich600338<blockquote class="wp-embedded-content" data-secret="ZT2ClKMQoe"><a href="https://www.sajeta.org/en/edition/artist/samo-kutin-slo/">SAMO KUTIN (Slo)</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://www.sajeta.org/en/edition/artist/samo-kutin-slo/embed/#?secret=ZT2ClKMQoe" width="600" height="338" title="“SAMO KUTIN (Slo)” — Sajeta" data-secret="ZT2ClKMQoe" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script type="text/javascript"> /* <![CDATA[ */ /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); /* ]]> */ </script> https://www.sajeta.org/wp-content/uploads/2023/09/18-Otroska-glasbena-delavnica-Samo-Kutin-Sotocje.png1152640Samo Kutin (1982), instrumentalist and a teacher, is known for his use of unconventional and homemade instruments. Beside performing in diverse improvisational and ethno groups he also explores the unusal sound potential of the medieval Hungarian instrument called hurdy gurdy (sol album Plovilo, 2015 has had many positive critics). In the last three years he […]